Showing posts with label university. Show all posts
Showing posts with label university. Show all posts

Wednesday, April 16, 2014

What commencement is really about (hint: not you!)



I was talking to a friend lately and he told me he was not going to attend his commencement (i.e. graduation) ceremony. Until recently, I had no idea there were people - and many of them, at that - who don't attend their commencement ceremony.

"Why wouldn't you?" I asked him.

"Because I don't believe in going to uni to get a degree," he said. "So going on stage to receive it is against my principles."

Seriously? I wanted to ask. Are you really going to skip commencement because of this principle? While I have nothing against his belief - university IS more than just getting a degree - I think it's too staunch a conviction for which you're choosing to forgo your graduation ceremony.

It was at this point that I remembered I'd had a similar response as him towards it.

My own commencement wasn't too long ago - just last year, in fact. (I graduated one year late because of some glitch in the system. Long story. I'm over it.) But the memory wasn't as warm and fuzzy as it could have been. And it was entirely my fault.

I couldn't care less about it. I'd thought the whole thing was contrived, putting on a huge cheesy smile as I posed with my scroll. I'd thought it was no big deal, since I was just one of the few thousands that year who was donning that robe and going on stage to receive that scroll. There was no need to make a big fuss about it.

But it WAS a big deal. If not to me, then to my dad.



He had been looking forward to my commencement, preparing his outfit for that day, scoping the place days beforehand for parking spots, making space in his SD card and charging his camera battery, asking me if I was inviting any of my friends to the ceremony...

And I had let him down. I had no idea where to go and what to do on that day, and was almost late for the ceremony. All because I couldn't care less. All because I thought it was no big deal. We could have arrived earlier and taken photos, chilled, and I could have shown him around a little before the ceremony began. But we did none of that, because we arrived on the dot and I had to scurry into the hall with the rest of my cohort while donning my robe.

I would go back and do it all over again PROPERLY if I could.



I received my scroll and my dad and I posed for photos, but the moment was incomplete. Imperfect. Marred by my indifference. My dad didn't smile as proudly and joyfully as I knew he would have.

You see, commencement isn't really about you. Sure, it's an entire elaborate ceremony - robes and speeches and all - dedicated to handing out certificates to you and your peers. But it is NOT ABOUT YOU. It's about your parents. Your guardians. Your friends. Your teachers. And everyone else who had put in time and money and effort to see you through to that moment.

So even if you think attending your graduation ceremony is pointless - "no big deal" (I will never forget the look on my dad's face when he heard me say that) - don't deny the people who most deserve to see you walk through that moment the experience. Attending it - being fully involved in it - is the biggest thank you you can say to them.

[This might be a little late, but if I hadn't made it explicit enough, thank you to everyone - especially my dad - for everything you've invested in me so that I could attend my own commencement ceremony. Thanks to my dad for the late-night cramming sessions, the looooong journeys on weekends to the tuition centre, the time and money spent on my books and tuition classes and little treats whenever I felt tired along the way. It's been a fruitful 15 years.]

Monday, November 18, 2013

Monday mood-lifters and a gathering of playwrights

Monday! First, THIS: some helpful advice from ex-literary agent and author Nathan Bransford.

Planning and improvising are the two basic ways to find your plot, but there’s only one way to find your voice: start writing, and keep writing until you find it ... Write your way to your voice.

It took me a while to find Sean and Ian's voices. If you recall, I've received feedback from a literary agent who said that Sean and Ian from BLOOD PROMISE sounded too alike. But after I managed to distinguish what it is that sets them apart - by narrowing them down to three adjectives each (i.e. Ian: angry, vengeful, brash; Sean: concerned, skeptical, protective) - I set about amplifying these qualities and tweaked their voices as such. Hopefully, it'll work better this time. I can't trust myself to be objective about my own writing; I need my critique partners! My saviours.

Speaking of BLOOD PROMISE, I've found a few images that fit the idea of the characters I have in mind. Pinterest, man. I'm addicted. But it's also opened my eyes to so many visuals that lit my brain on fire. Follow me, if you're interested!

APRIL, the changeling struggling to keep her craving for human souls in check:

This is April from Sean's POV - because of his colour-blindness, he sees her eyes as a startling shade of blue. This leads to a twist that I won't reveal here, of course.

I actually had the Australian model Gemma Ward in mind for April. April is not conventionally beautiful. She has eyes a little too widely spaced apart, a button nose and lips that typically curve in a sad wistful bow. Still, she's meant to be beautiful in a strange otherworldly way.

SEAN, who moves to Frosty Island with his mother after he hears the news of his best friend's disappearance while vacationing with his parents on the island: 

He's the closest I can find on Pinterest. The Sean I have in mind is someone with an easy smile, dimples, and wide friendly eyes. Your favourite boy-next-door.

Maybe this one might be a closer approximation of him:

But nah. He's my Peter Pan. Not quite Sean.

Case in point:

Oh Donghae, you are just too precious. (Can you tell I'm obsessed with this little boy? Ha.)

Ahem. I digress.

IAN, who moved to Frosty Island to live with his aunt Mel after his parents died on this island a week ago in an alleged car accident:

This one's perfect. From the hardness of Ian's features to the danger in his eyes, that spark of recklessness when he realises he's got nothing left to lose anymore.

Anyway, how was your weekend? (I never have any idea whom I'm talking to whenever I ask questions like that on my blog. I'd love to hear from you if you're reading my blog! Comment away; don't be shy. I promise I'll reply. Nicely.)


Yup, that's pretty much me. Except this weekend, I finally went for the annual play-writing gathering last Saturday. It's actually the final reading for the semester's EN3271 play-writing students, but Huzir invites the ex-students back for a gathering of sorts. He opens his house up to us and have us all gather around in the living room for a cosy reading session - so generous.

It was so lovely to see my writing comrades again, and reminisce about the times when we stayed up to finish our plays or scramble to print out the copies for readings in class. I took both EN2271 Introduction to Playwriting and EN3271 Advanced Playwriting (both conducted by Huzir), because EN2271 was the most rewarding class I took in uni.

It's wonderful to be part of a writing community and have people to commiserate with when the writing isn't going well. Before that, I've never had writer friends or been part of a writing group, and the class made me see how rewarding it is to be part of one. It's nice to be able to hear other people's stories, share your own with them, and exchange ideas on how to improve one another's scripts. It's nice to have them root for your characters and have your classmates act out your characters; to hear Huzir's insightful and immensely constructive and honest feedback on your writing; to have a group of writer friends you can keep in touch with after graduation because writing will always be the thing that bonds you all together.

These two play-writing modules have given me so much, and for anyone in NUS undecided on whether to try out for these modules, my advice is to TAKE THEM. THEY WILL BE THE MOST FUN CLASSES YOU WILL TAKE IN NUS. At least, for me it is. I'm not forcing anyone! *runs for cover*

There were close to thirty people who attended last Saturday's gathering, including this semester's playwrights. I didn't manage to get everyone in the photo, but here are some of us. To those not in these photos, sorry! Next year, we'll take a proper shot all together.



We basically just decided to make a 180-degree turn because we were profiled against the sunlight. The rest were by the refreshments table or in the washroom, so here's us. I'm obviously the one in pink ;)

The plays this years were great! Funny and poignant character-driven stories. But the feedback was the best, especially when it was served with a dose of candour and insight. All the best with the final rewrites, playwrights! (That totally rhymed.)

Till next year, guys! And all the best for NaNo!

Unfortunately, I missed Lord of the Rings: Return of the King as a result of attending the gathering. When I realised it was airing on TV afterwards, I was like:


And here are your Monday mood-lifters:


Man, I miss this show! GILMORE GIRLS was funny and smart and sweet - almost everything you could as for in a TV show. It ended on a crappy note as it was slated for another season which, sadly, never came to fruition.


Some Harry Potter/Lord of the Rings crossover for you?

I totally heard this in Benedict Cumberbatch's voice.



Oh, Siwon. You are such a derp.

And on a less creepy note:

All together now: AWWWWWW.

Have a great week, everyone!

Thursday, December 29, 2011

Given that a number of things (not too significant, so don't hold your breath, if you are) have happened since the last time I blogged, I think I'll make a list of updates this time.

I. Bidding period begins.

Can you feel the anticipation, the territorial vigilance with which everyone is camping out before their computers, lying in wait for the next bidder so that they can one-up him and throw in a higher bid? I know seniors get priority (well, not exactly priority - just that they have more points accumulated from past semesters and can afford to bid higher), but with so few options this coming semesters, competition for English modules is tough! And because of some administrative failures last semester, I absolutely have to take five English modules next semester so I can graduate on time. So I HAVE - did I mention HAVE? - to secure all five. The only five, in fact, because I've taken the rest before. You'd wonder why they offer so few English modules for this coming semester. I could ask the same.

So if everything goes according to plan, I'd be taking:

1. EL3204, Discourse Structure
2. EL3206, Psycholinguistics
3. EL3252, Language Planning and Policy
4. EL3880E, Second Language Learning,
5. EL3257, Investigating Language in the Media

I know. Hardly inspiring or scintillating. But, you know, school is school. No more fun modules, like Playwriting or language modules. Speaking of which, I got the A I wanted for Playwriting, and did better than I expected for my other modules. It's different when you feel passionately about the things you study, indeed.

II. One more semester and I'm done with school. Can you believe it? Not to sound completely corny, but it feels just like yesterday that I attended my first 10am lecture at LT11. I was rereading Megan McCafferty's Charmed Thirds, the third of the Jessica Darling series, where Jess attends Columbia University. And I just felt like it was such an apt book to be reading, because I could totally relate to what she was going through. The uncertainty, in the new environment and in herself, the diversity, and the stuff she was learning, the what-am-I-going-to-do-with-my-life-after-I-graduate brand of anxiety. My three years of tertiary education is coming to an end, and I feel more than ever the pressure to make a decision, pick a path already, plan plan plan your life, don't waste time or you'll fall behind.

I admit, a lot of the pressure comes from myself. My dad's not putting any pressure on me to earn my first million by the time I'm 25 or whatever, but I do want to achieve something quick so that I can show my dad that I will get by in life and that he doesn't have to worry so much.

But 2012 seems bleak, at least on the job market front. And that's not something I can control. So in the words of my dad, let go of what you can't control.

III. So Christmas has come and gone. Next up: New Year's. Excited? Not really. Thankful, though? Definitely. We've all lived through another year, at the very least, and that's always something to be thankful for.

IV. I'm currently reading The Grift by Debra Ginsberg. This is the third time I'm attempting to read it. I don't know why I didn't manage to get through it the previous couple of times, because it's actually a pretty well-written story. Not so much about plot, but about character, and it's high time I learnt how to write a character-driven novel without sucking instead of falling back on plot every time my story stalls.

And remember when I said my goal was to finish writing Fifteen Minutes Down Sunset Avenue by the end of this holiday? Yeah, that's not going to happen. Unless I manage to write, like, ten pages a day every day until 9 January 2012, the first day of school (after which I won't have time to write at all). At the rate I'm going (about three pages a day), that seems highly unlikely. Still, it's making progress. And I've finally come up with an idea on how I'm going to raise the stakes and resolve the story. All that's left is to write it. Which is always easier said than done.

V. The National Arts Council is organising a competition to select five young adult manuscripts to publish. And I was considering sending in Fifteen Minutes, but that doesn't seem possible now. With all the editing to do, it'll take me months before I deem the final manuscript ready. Besides, I'm still too attached to Lambs for Dinner to pass it up for this competition. But one of the criteria is that the story should not incite violence. And Lambs is really a little dark. Maybe not gory, but it might incite violence, how should I know? So I either risk submitting something that may or may not go against their criteria, or submit something that's not ready yet. I don't know about you, but the latter seems much worse to me. So Lambs it is. I believe more in it than Fifteen Minutes anyway. At least for the moment.

Wednesday, November 23, 2011

the long and winding road

With my impending graduation next July, I've started considering my career options. I know, my first sentence is already a yawn. But that's the truth of the matter, and I have to come up with a plan fast before I end up roaming the streets with a cardboard sign saying, "Will sing for food." And I'm not even a good singer.

My dad saw how worried I was that entire day (but he was, in fact, the one who got me thinking about what I'm going to do after graduation) and sat me down for a talk before I went to bed. He told me to stop worrying about the things I can't control and that it's near impossible to be unemployed in Singapore.

But with a degree in English, I can't exactly qualify for a profession, if you know what I mean. I mean, it's all fine studying English in university, but it's an entirely different issue looking for a job that requires an English major. Is it true that English majors are doomed to end up as teachers? Not that teaching is a dead end. That's not what I mean. It's just ... I'm not the teaching sort. I have zero patience for kids, and I'd only see it as a means to earn income, the way I view my tutoring job now. The people around me who are well on their way to becoming teachers, you can totally see the passion in their eyes when they talk about the kids and their job. I don't get it. But should all else fail, maybe teaching is the only way to go.

Here in Singapore, if we sign on to become teachers, we get tuition paid for by the government but we'd have to be bonded for three years to the Ministry of Education. So if I decided to get bonded (after doing a year of post-grad in the National Institute of Education), I'd have to spend three years in the teaching business.

Gerlynn squawked at me to think through it carefully and discuss it over with my dad before embarking on - and I quote - "hare-brained notions" like spending three miserable years doing something I'm not keen on. How is it that some people such as her can be so logical and calm about everything? I'm a mess when it comes to making decisions for myself. Gerlynn always says, "Make your own decisions! You're 21!" Even my dad said that the other day - he told me I had to rely less on him to make decisions and be an adult now. I could blame it on my horoscope (Libras easy-going at best, and indecisive at worst), but that would be dumb.

I cried during that talk with my dad. He told me to put less pressure on myself, especially on something I can't control (although I don't really get what it is I can't control about getting myself employed). Before tucking me into bed he told me to communicate with him more (I was pretty reticent the whole day, worrying) so that he won't worry about me so much and he'd know I'm okay. I cried even more after that because what kind of daughter makes her father worry like that?

I know, I know. I was in a strange mood that day. And the weather did nothing to alleviate it. After the scorching morning, the rain gods were having a blast. The party lasted all the way until evening.

But post-graduation jitters aside, I have more pressing issues, like finding a part-time job to tide me through December. I don't mind scooping ice-cream or desk work as long as I can find time to swim every day and don't have to travel all the way to Alaska to work. Just putting this out there.

Tuesday, November 01, 2011

Write, write and write more

I shouldn't be blogging right now. I have a Chinese short story and an English group paper to write, a French test to study for, and a French essay to write.

Yes, it's that time of the semester again. This mad rush, the culmination of earlier procrastinations, is taking ahold of us again.

I'd like to say that I'm not a procrastinator. I've completed all my individual work. The Chinese short story and English paper are group projects, which, as we all know, are a bitch to get down, given how difficult it is to coordinate all our schedules and get down to writing the damn thing.

So lots of writing to be done. Though I can't find a downside to that, because it's writing!

Just today, I wrote my first ever short story in Chinese. It was an in-class assignment and we'll be graded according to the piece we write. We had to write a short science fiction however we want. In other words, CREATIVE WRITING! I was hesitant at first because let's face it, I'm a lot more comfortable writing in English than in Chinese.

Writing short creative fiction in Chinese is different from writing those Chinese essays in secondary or primary school. Back then, we were forced to write to a lame topic or title and use the phrases and words the examiners or teachers would give us credit for. This, though, is free and easy. Write whatever you want, however you want, as long as it is credible sci-fi (it's a Chinese for Technology module, after all). I wrote a piece titled BLACK HOLE, where I used Einstein's theory of relativity as a metaphor in my main character's life and to serve as a backdrop against which his transformation is held. It doesn't matter if I don't get an A for this, because I actually had fun writing it (though I also had Google Translate to thank). I'm pretty proud of myself for coming up with a piece I actually like in two hours. In Chinese. Have I mentioned it's a first?

Okay, I'll stop bragging now. I'm trying not to go near my English group paper, which, if you think about it, is kind of impossible since I'm in charge of writing the introduction. Oh yeah, I'm a fine kick-starter. Go team, and all that.

Sunday, September 11, 2011

In the time since I last posted, I've been swept up in schoolwork. Nothing too heavy, really. Just a language here, a playwriting class there. It's all been really enjoyable, and I've been busy collecting ideas and developing them, conjugating French verbs, Google-translating my Chinese essay (maybe I shouldn't let that one out)....

This semester is shaping out well, except for that one glitch that forced me to take only four modules, instead of the usual five. EL2202 closed one of the four tutorial classes due to a smaller intake of students. And it just happened that the slot they closed was the only one I could actually attend and that didn't clash with my other classes. Since the system couldn't register me for its tutorial class, I won't be registered as a student. And by the time they informed me of that, the period for module-bidding was over, and so I'm stuck with only four modules. Which means I'd have to take Special Term. Again. Not that it's a terrible thing, just that I'd have to take five modules next semester to satisfy my Major requirements (and you know the timetable's going to be a bitch to negotiate) and I'd have to find one module to take during Special Term to fulfil my last Unrestricted Elective requirement (hopefully, they'll offer Japanese or Korean language modules then, otherwise I'd have to take some boring-as-hell science or business module - I can't even contemplate that horrific notion).

Yes, CORS is a bitch. Why universities don't extend the bidding period, or construct an entirely foolproof online module-bidding system, I don't understand. I'm not the only one who's experienced that problem. My friend from French class was forced to drop a module for her Major too. Doesn't that sound ridiculous.

Anyway. Guess I'm stuck with four modules this semester. And only one of it has a final exam; the rest rely on continuous assessment. For playwriting, our final and only play takes up 80% and class participation 20%. Which is why I have to make this play good. At least I know where I'm going for now.

Okay, let's rewind and start from the beginning of this semester. The first playwriting class saw Huzir asking us what we had done since EN2271, Introduction to Playwriting, and what was going on in our lives now so that we could channel all that into our play. And I realised it seemed I didn't have much of a life outside of watching dramas, writing my novel and swimming. But the thing is, I'm not unhappy. In fact, I'm pretty happy where I am now. Is this me being complacent, so ensconced in ignorance that I feel no compulsion to stick my head out or - pardon the cliche - step out of my comfort zone?

Routine, I realise, is comforting. And it can also be a crutch. It's what we fall back on when we are afraid to live, afraid to get hurt. But for a writer, it is stifling. It makes our lives stagnant. But I'm just too used to it - being alone, being spontaneous, being emotionally independent - that I don't see the need to rely on activities to meet new people. Maybe that's the problem with being an only child. They're too used to playing by themselves, going everywhere by themselves that they don't think they need other people. They hold people at arm's length and it takes a long while before they decide to invest in a relationship. And if you don't commit to a club or extra-curricular activity, university doesn't make it any easier. After every semester, you hardly see the people you had gotten to know last semester. So the people you sit next to in class are more like temporary allies rather than real friends. We'll come together to work on a paper or project, and after that, thanks for your contribution, see you around. And that's all you do, see them around, say hi and move on. University can be a lonely place despite the number of people and activities in it.

I know I sound like a downer. But that's probably just me. University isn't half bad, really. You get to meet different people every semester, learn different things, think about things you never gave a second thought, and be taught by really intelligent and passionate lecturers. Everything there feels so alive I'm excited to be a part of it nonetheless.

I'd go on, but I think readers (the handful of them) might vomit at any further sanguinity. Right now, I'm simultaneously watching 'The Snow Queen', writing my play, writing my Chinese essay (30% of final grade) and listening to 'Secret Garden' OST.

Speaking of dramas, 'Secret Garden' is one of the best I've ever watched. And while I was initially disinclined towards Hyun Bin, the male lead, his performance in the show has made me fall for him. I've been replaying the song he sang in the show, 'That Man', and the instrumental OST for 'Secret Garden' for one and a half weeks and counting. Which is why I've been looking for his older dramas like 'The Snow Queen' and 'The World that They Live In' to watch.

Maybe I'll stop before I start gushing.

To make a really awkward change of topic, I'm turning twenty-one in exactly two weeks' time. The thought is more depressing than exciting. I'm about to bid my youth goodbye. No more acts of defiance (not that I've ever been a rebellious kid), or whimsical behaviour that can be excused or tolerated, and no more freedom from responsibilities. In a year's time, I'll be graduating, and I'm not even completely sure what my next step will be. I know I want to work in the publishing industry. I want to help aspiring authors publish books, or contribute to Singapore's literary arts scene in whatever way I can. But that's all just in theory. How to go about doing that practically, I haven't got much of a clue other than interning at a private book-publishing company (I've been researching on some possible companies). Typical arts student, you might, say. All talk, no action. All ideas, no logic. Still, I'll take comfort in the fact that I have a heading now, at the very least. Which is more than I can say for myself at the same time last year. Maybe some of us will never know whether what we want or what we're doing is right or will pay off.

This has been as upbeat as I can be. Till next time.

Wednesday, August 03, 2011

On (not-so) Secret Novel, amazing novels, and novel experiences

It's taken me long enough to blog again.

School starts in a week. And while I'm looking forward to LAF1201 (Beginner French) and EN3271 (Advanced Playwriting), I'm keeping my fingers crossed (if I believe in crossing fingers) that this semester isn't going to sap me of all I am.

Still, I have a week more to go. And I intend to spend it the way I want. That, of course, involves writing.

I'm working on my new novel!!!! (Can you tell how excited I am? If I could add on more exclamation marks without looking like a prepubescent girl at a Bieber concert, I would.)

For the past couple of weeks, I was toying with the idea of working on Novel A and Novel B. I decided on Novel A, but after just twelve pages decided I wasn't convinced with my characters enough to go any further. And while agonising over Novel A, scenes for Novel B just kept forming in my head, and it was Novel B that I kept thinking about before I went to bed.

So last Saturday, I thought, what the heck, horrible timing be damned (it is one week before school - and all relevant madness - begins, after all), and got started on Novel B. And since then, I've written four chapters. I'm excited because it reminds me of the time I wrote LAMBS FOR DINNER, the thought process, the way the story flows out of my fingertips, the way I had to rush to keep up with the ideas in my head, the things the characters are saying in my head. I haven't felt this exhilarated while writing since LAMBS.

No, wait. I have. When I was finishing up THE DREAMCATCHERS.

Speaking of which, I've completed that! In the middle of July, in the middle of MNO1001 lect (Management and Organisation, which I'm taking to fulfil my Breadth requirement). After a whole year of second-guessing and self-doubt and almost giving up, I've finally pulled through. Sometimes, it's not that you can't write; it's that you won't. I kept telling myself I couldn't think of anything to propel the story forward, and I couldn't think of how to resolve the story. But once I got down to it, everything managed to tie itself up pretty nicely (if I do say so myself).

But now, I'm stashing THE DREAMCATCHERS away in the drawer for a month before returning to edit it (so that I will be an objective editor and my perception will not be too skewed). And on to work on secret new novel!

Oh, okay. The title's FIFTEEN MINUTES DOWN SUNSET AVENUE. I'm still not too sure about it, though. I wish I could think of some strong title, like SHIVER (by the unbelievably talented and funny Maggie Stiefvater), which captures the essence and the mood of the story.

And speaking of the WOLVES OF MERCY FALLS trilogy, I just rushed down to Kino after my swim last Thursday to buy the final installment, FOREVER! SHIVER remains one of the best-written stories I've ever read. And I am completely stoked to read FOREVER. Just the first page - just the prologue - looks so good. I'm going to relish every word and read it as slowly as possible.

Blog-surfing today led me to this post by Natalie Whipple, YA author: Happy writers: finding confidence in yourself. Which gives us a much-needed boost of assurance as we create the story we want to read, and the world we wish to live in. And What I Really Want to Say to New Writers helps put things in perspective.

On a final note, here's what I meant by 'novel experiences':

Modules I'm taking next semester:

1. LAF1201 (I just looked at the notes posted on IVLE - everything's in French. Wonderful. Just...wonderful.)
2. LAC3203 - Chinese for Science and Technology. I had fun last sem with LAC3204, laoshi was nice and really put effort in helping each of us improve in our Chinese, and the coursework was relevant and useful.
3. EL2201 - Sound System of English. Big yay for phonetics and phonology! I had fun learning that under Mie Sensei in my freshman year, sem 1.
4. EN3271. More second-guessing and self-doubt (it is writing, after all). But with critique partners and constructive criticism and lots of fun (it's one of the classes I laughed the most and hardest in ever since entering NUS).
5. EL3256 - Language in the Workplace.

Bring on senior year sem 1!

Saturday, May 28, 2011

Allow me to indulge in some mindless rambling.

To be honest, I don't know what I'm doing with my life. It gets even more obvious when you're in university, when you're around people with such clear ideas what they want to do with their lives, and when and how they want to achieve. They are so driven and determined, I feel like I can never ever be like them. I don't mean to put myself down or allow myself to feel inferior to others, but it seems I've gotten a lot more apathetic after the A levels. Back then, in secondary school and junior college, I knew what I wanted: as many A's as possible. The whole point was to get to the school I want. But now in university, where the next step after graduation is employment, I'm more lost than ever. And time's running out for me to decide.

I don't regret majoring in English Language (okay, maybe a little - I often wonder if I would enjoy majoring in English Literature instead), but that's all I'm sure I want to do. What happens after, I haven't made any solid decision. My peers are already planning their career journeys and setting goals on when they want to earn their first million or buy their first condo or take their PhDs. All this planning just gives me a headache. Maybe I don't thirst for all that as much as they do. Maybe I don't give a flying crap about scaling the corporate ladder and the ranks of society, or luxury-car and condo ownership. Maybe I'm just not a fan of planning, period. Maybe I've been too protected by my father, that I don't feel the need to work for anything. I want him to not work so hard and be so tired all the time. So I guess I'll work for the sake of that. But I don't know what else I want beyond that.

And it's not like I'm doing fantastically in school. There, I said it. I'm not doing all that well. Just average, occasionally slipping below average. But the good thing is, I'm not planning to take honours, so I'm staying thankfully out of the fray, away from all those people slugging it out amongst themselves. Maybe the reason I don't kill myself trying to get on the honours track is because I don't see how that's going to make anything better. Sure, everyone says the pay will be better and all that. But what if I don't even know what I want to do after graduation? Despite my efforts, I can't do as well as my peers, so I'm not going to die trying. I don't believe education is the be all, end all of life anyway.

Still, it's still nice to know you can ace the modules you choose. Nothing like university to make you feel uncertain about yourself and your abilities.

Wednesday, January 19, 2011

A recent post by Danielle Han on a very pertinent issue:


“A friend was applying for an American university and asked me to help him with his personal statement. The following ensued:
“The question says to write on an issue of local, personal, national, or international concern and its importance to me. Any ideas?”

He produced a notebook and on each page was a mind-map on trending topics. International terrorism, the rise of China, climate change were in the mix. It looked like a standard list of pretty much what is happening in the world. All that we had learnt in school.

“I can probably relate the rise of China to Singapore since Singapore has to cope with a more assertive China in the region. And probably talk about terrorism since Singapore being an international hub is vulnerable…”

I felt vaguely uncomfortable listening to him. Something was amiss.

“But how are these issues important to you? I mean, yea, these issues are important. But why and how are they important to you on a personal basis? How is it important to you as a human being, as a person? ”

At these words, we both stopped stunned, as both of us slowly understood what I spurted out. After that meditative silence, my friend spoke.

“I have a feeling that education has taught me all about this world, but nothing about myself.”

And I felt immense, immense sadness.

For my friend was no simpleton. He was, objectively speaking, one of the most accomplished of my age in Singapore, perhaps easily in the top 1 percent in my batch. His paper record is impeccable – Straight As with a Higher 3 paper distinction, leadership in the student council, team captain and national champion in his sport, and an assortment of various awards and book prizes. Now a scholarship holder and an officer-to-be in the army… He was by no means one of those whose success is limited to the academic; his paper credentials suggest a more than holistic education.

But now, he has just confessed that education has not… even made him a person. He was akin to some inchoate concept of a man, some aggrandization of trophies, some hollowed husk of purposelessness.

I slumped in my chair, for I had never heard such a damning statement on our education system.”

— from Norvin Chan’s The Secret Political Blog


Kellynn's reply:

What do you guys think?

I see this happening a lot. For loads of people my age, in university, studying, say, sociology, it is a thing separate from themselves as people (which is of course highly ironic). It’s a subject to be mastered, facts to be memorised, things to be learned on an abstract and disembodied level. There is certainly some passing interest, some genuine enjoyment, but there is this strange sense of disconnect, as if studying the sociology of food is about being able to repeat facts about body image and our social delinking from the origin of food without really thinking about how we ourselves are implicated in this whole process. There is a lack of — reflection, perhaps (and now I risk coming across as a little snooty), or a certain kind of lack of self-awareness? I had a friend who, while studying for GP, memorised reams and reams of statistics to be crammed edgewise into an essay during the “A” Levels, which to me was a little baffling. I’m not saying that the act of memorising facts is a bad thing, but shouldn’t writing a GP paper be based somewhat on interest, on a personal connection with the otherwise abstract worldly issues we are writing about?

I am interested in how our education system conditions us into thinking that this is the only way to study, that this is ‘education’, a task to be accomplished like learning to fix a car or how to swim. Evidently this is not true for everybody and everyone reacts to education, is shaped by, or shapes their view of education, differently. I have many friends who feel strongly about what they study and who do not separate school from self like most Singaporean students do. And yet I also have an acquaintance who chose to major in literature simply because she scored the highest grade for its exposure module in comparison to political science and sociology. (This of course pissed me off on a very personal level, because I remain torn about my decision not to pursue lit [although day by day I am certain that I’ve done the right thing] as my first major and am weirdly envious of those who have chosen to study it, but it also just utterly confused me, because literature is something you pursue because you are passionate about it, because it is something wildly personal, and not because you can get the best on-paper grades for it.)

So why do we separate ourselves so completely from our education? Why is the failure to do so chastised as being “impractical” and “having your head in the clouds”? Is this a Singaporean thing? Is this true for other people in other countries? Is this emblematic of a lack of self-reflection (to put it kind of wankily) or of social censure of self-reflection (which is really creepy when you think about it)? What is it that makes us leery of information, education, and current issues in relation to ourselves — that makes us dismiss all these things in the (this familiar, familiar Singaporean watchword) name of “practicality”? Why am I told again and again — by the people around me, by the culture I am raised in, and by my government — that my lofty ideals (which I know are very naive and which I have only a very tenuous grasp on) are not “practical”, that they are not part of “real life”???? How is what we study not part of real life? Are we for example not faced with damaging media images of women or part of food webs or do not grapple with colonial images of “little brown brothers”? Are we not part of a political system and do we not wonder philosophically how we know the things we know or do we not read books or question what it means to be Singaporean in this day and age? Why are these things so often confined to the classroom?

I know that most of you have decided to study things that are off the beaten track in Singapore. Many of you are lit majors or political science majors or something along those lines, and I know that all of you have chosen these areas of study out of interest, out of an intimate belief that what you are educated by is inextricably interweaved with the persons that you are, and that if you were faced with the question that was posed above, you would be able to answer without isolating your self from it. Why are you this way? And because you all exist, is it really, incontrovertibly true that our education system has failed? And again, because you all exist, are you (in varying degrees) exceptions to the rule? And, again, why are you this way? Aaaand I am feeling uncomfortably judgmental here of people who do separate themselves from their education and feeling my class privilege that allows me to ask these questions and to receive this education, but I admit that I am young and stupid and overthinky and I’m going to say these things anyway.

For me, NUS — university education — is one of my favourite things. I love it. I can bleat on and on about how much I have learned and how much I have consequently grown as an individual because of it. I love everything I read, everything I hear and watch and study; I love going to lectures, I love writing papers, I love reading these novels that I would never otherwise pick up, and listening to ideas that will forever shape my perspective of the world. In one year I have learned about political imagery in architecture and the politics of climate change and methods of social research and Christian revivalism in Singapore and post-colonialism in Merle Hodge’s “Crick Crack, Monkey” and the history of food gathering and production in human society. I have debated on sustainability and the failure of massive nature conservancies and heatedly argued about the racism in Conrad’s “Heart of Darkness” despite the distancing frame narrative and jumped up and down in my seat in unbridled rage arguing about the implicit sexism of the language used in men’s magazines. I marvel all the time at all these super amazing things that I’ve been part of and feel happy and grateful that I’ve been able to learn so much from my teachers and my books and my peers. But that’s just me, and I think that my reaction is a product of a thousand things - a loving and encouraging family, open-minded and interested friends, my early use of the Internet (which I feel is pivotal), my enjoyment of books - my class, my race, my ethnicity, my specific educational background (where I skimmed just under the ‘elite’ schools while studying at Anderson Sec and St. Andrew’s, but still remain very much highly educated), my socioeconomic position which insulates me from many things - my general (personality?) enjoyment of academia, my linguistic privilege, and so on.

And so I wonder specifically why so many people complain about how boring and crappy and etc our university education system is when I find it stimulating and challenging and helpful. What specifically allowed me to fall off the radar to a certain extent (although I still remain firmly and safely on the beaten, well-trodden path to class and economic stability because of my [incidental to my enjoyment of school] good academic grades)? Obviously a lot of it’s got to do with the state, doesn’t it? Policies that inculcate this attitude towards education, playing on notions of upward social mobility and class anxiety? How class starts to perpetuate itself at the age of ten, when students are streamed, then again at the age of 12 at PSLE, and then if you get into Raffles or St. Nick’s or Hwachong you’re pretty much set, aren’t you — and how I’ve managed to sort of fall away from this ideology because I have the class and economic privilege to not worry about needing to succeed academically, and because I am privileged enough to be fairly smart so I never had to worry about “making it”? And why do many of my peers approach education the way they do - with an almost rabid singleminded focus on grades, on pleasing the lecturer, on academic paper success rather than holistic academic education, on its sheer functionality?

Ultimately (sorry for the terrible organisation of this post - I kind of wrote myself into this conclusion and understanding), I think I’ve had the luck and the privilege of not needing to adhere to the idea of education as a literal tool to economic stability and future success because I already fit the ideal that the Singaporean state demands of us, by which I mean I am (upper) middle class, Chinese, English-speaking, and perform well academically. So I have the privilege to say fuck you to the idea of education as separate from the self and have the luxury to study all kinds of abstract social theory and high-flown literary concepts and so on. So this, I think, is why I can look at education the way I do. What about you guys?

-------

When I read and hear things like this, I can't help but wonder if there's something wrong with me. Did I consciously choose to pursue something fluffy like Media instead of Law (when everyone, including myself, expected me in Law School)? Yes. And I never regretted it. But did I enjoy my education in NTU? No, not a bit. It was unchallenging. And I don't mean everyone-else-sucks-so-I-am-better unchallenging (ugh please I left NTU with a fairly shitty GPA), but I found the only way I had to cope and keep up with the others often left me unable to engage my course material, i.e. memorising and memorising and regurgitating was the only way I seemed to scrape by. I felt like I was in JC all over again, but even in JC I had mugged with a certain kind of enthusiasm...maybe even willingness. I felt, in short, like I was trapped in a cycle of mindless mugging.

So back to the question...is there something wrong with me? I've always wanted to be like Kristi and Kellynn and the people she hangs out with, or like Clara and her way with words, or Alan and his tablet, or Liz Law and news. They all seem to just...get it. They all seem to have some kind of ability to grasp things so easily such that they can immerse themselves in modules of their interest. They all seem to exude some kind of genuine love for the things they do and study. Like they ooze poetry and sociology and literature. Why don't and can't I have that? I seem to have done everything right. I mean I've literally gone by the textbook of success - I was in an all girls elite school since P1, I've won model pupil awards, money from MOE, I love to read and write on my own accord...where did education fail me? I don't know...

All I know is that I have been fighting a losing battle since Secondary School. Deep down inside I knew I wasn't as academically inclined as I was told I was by virtue of my Secondary School and CCA (debates...a shameless, hopeless attempt to make myself look smarter), but I stayed put and continued fighting anyway, and left SCGS without a happy memory. I mugged through JC, and then I mugged (to tears) through my first year of university until I had enough.

The way I see it, people like Kellynn and Kristi and Clara and Alan all have something about them that will enable them to have a comfortable life even if they flunk out of school. They have practical views on life and survival in this country, hypothetically will still be amazing people if they fail splendidly, but, seriously, will come out of uni even more amazing than they already are. There's that little spark about these people, and many more I've not mentioned, and a level of intelligence or talent that I, and Jerico, and many, many other students lack.

Which is why Jerico and I both realised, at the end of the day, that even though we love so many things that are available to study in our local unis, we're still going to have to slog it out to "make it". Make what, I don't know that either. But being so...average, we feel like we've no choice but to just get that piece of paper whether we love or hate the process of not.

I'm lucky because I had the chance to start anew in Aussie, where being away from all this gives me the chance to do things differently. I was telling Kristi that I finally feel like I'm being challenged academically in a positive way, like I have time to soak in how amazing and intriguing my readings are. Maybe it's because I take less classes. Which brings me back to the point about how average I am compared to all the students my age I look up to. Unfortunately, I can't cope with the number of classes local uni requires us to take. I can't sit back and love every topic I read and breathe life into every word in my essay. I wanted to, I really, really wanted to. I really thought uni would liberate me from the mugging shit I endured for so long. But I ended up having to do things the typical way to scrape by that is mug. And I believe many others are stuck here, longing not for a quality lecturers or readings or modules, but an education system that encourages and allows them to soak up all the amazing things available in our universities.

So I have gone around in circles and whined pitifully about how sad my academic life is (hur hur), but that's exactly what I think our education system needs. It needs life. It needs...it needs to remember that studying is not learning and learning doesn't only mean studying. It needs a fucking attitude overhaul. It all sounds so simple isn't it? Maybe I'm wording it wrong. I can't think straight...I have discussed our education system with Jerico so many times but I always ended up feeling so unsatisfied.

What an uncoherently put together blog post but I could go on and on and on...nevermind it's 3.17 am. I handed in a big assignment a few hours ago so fuck it.


-----


I just thought I'd weigh in on the issue too.

I can't agree more with Danielle. I don't know her personally, though we (and Kellynn) spent two years in the same junior college and are both Arts students, but I do feel like she's one of those - apart from Gerlynn - who understands what I'm going through. Gerlynn and I have discussed how disillusioned university has made us. At first, it was just me. I felt like a fish out of water. I was floundering, wondering what the hell I was doing in university. I didn't want to seem like a whiny brat, granted the opportunity to higher-level education, but complaining about it like an ingrate. But when she entered university a year later, Gerlynn seemed to understand me perfectly and echoes my views on university. We've taken to discuss what being in university actually does for us. For her, it seems university is pure agony and she's forced to press her back against the grindstone while towing it up the hill. For me, I feel like I'm standing in the midst of all these lab rats skittering on their little treadmills, focused on the single-minded intention to collect their honours degree and later, their masters, and maybe even their doctorates. As soon as I stepped foot into campus, I realised I'm not going to be as rabid and dogged as my peers in their quest to collect their certificates (and then some). I'm not going to be visiting the library to borrow books on issues relevant to the modules I'm taking and reading them for leisure and then raising some questions I have with the lecturer or engage the lecturer in impassioned discussions and the like.

Later, I realised it's because unlike my peers, I don't see a goal ahead of me. I don't know what I want to be, or the sort of options open to me, an English linguistics major who just wants to write fiction all day and get paid for my efforts. My goals, it seems, are too lofty, beyond what university can provide. Because who gives a flying crap about creative writing in Singapore? In Singapore, it's all about the sciences - biochemistry, engineering, etc - law, medicine, dentistry, new media. These are the courses that reap tangible rewards. These are the modules that provide quantifiable self-worth in terms of grades and achievements. Linguistics? Everyone immediately assumes you're going to be a teacher after you graduate. I know SO many irate Arts majors who've had enough of people asking them if they plan to teach - and I'm one of them. Is there nothing else we Arts majors can do other than teach? And why is that so? Why is that the prevailing assumption? Is it the environment that has cultivated this mindset, or this mindset that has shaped the environment, the one that emphasises on practicality and functionality? Which brings me back to the question I often crack my head over while on the long bus ride to school: what am I doing in university? Am I here to get a certificate that would boost my chances of working in a cushy office and earn a steady paycheck? Do I even want that sort of job? I've mentioned before that I'm really not keen about office jobs. Punching in at nine o'clock every morning, sit at your desk, avoid office gossip, be careful not to tread on toes, bow to your superiors, go for stipulated lunch breaks, return to desk, work, punch out at six o'clock. Wash, rinse, repeat. Does education really liberate us? Being trapped in a desk-bound job, tiptoeing about corporate hierarchies so that I can scale the corporate ladder and break the proverbial glass ceiling, score that big promotion and that big fat paycheck that will entitle us to a cushier life that entails even greater wants and needs, which demands us to slog harder for the next promotion so we can score an even bigger paycheck.... Seems like we're more trapped than we were before.

Or, am I in university because I want to? Because I want to learn and be exposed to ideas and knowledge that I wouldn't have been exposed to otherwise? But what if my level of enthusiasm isn't as high as my peers? Granted, some of them exert the effort in their studies because they want their rocketing CAPs and not because they really enjoy the course. But what if my passion for English isn't as high as theirs? What if the effort I put in only marks me as an average student? As it is, my CAP is completely, morbidly, depressingly average. Maybe even lower than average, I don't know. It's a B. I enjoy my linguistics modules (most of them, at least), and I put in the effort. Clearly, it's not enough.

While it is true that my university experience thus far has shaped up to be, for the most part, satisfying. I'm lucky that my father is supportive of me studying the course I'm interested in and passionate (well, that remains debatable, but let's see this in relative terms to put things into perspective, okay?) about. I know he wishes for me to study more practical things like business administration and economics and the like, and he often comments on how I chose the easiest things to study (in a jocular manner, that is, but I can detect the grain of honesty in those comments). But he let me study English, anyhow. For that, I'm grateful. But then I can't help but wonder, while I'm enjoying myself studying the things I want to study now, what am I going to be after I graduate?

Like Danielle said, some people like Kellynn just seem to have it. They're smart, coherent, sensible, sharp-witted and are keen observers of the society we live in. Because of that, they can do well in their course without breaking a sweat. While the rest of us are left wondering what it is we're lacking.

And it was only recently that I had that eureka moment. That I realised I had no idea what I was going be, what I could be, what I wanted to be. While my peers are full of aspirations and hope and faith in their futures after graduation, I'm still slippery-footed and hesitant and left trailing in their wake as they charge ahead for their degrees.

It's just the second week of the second semester of my second year in NUS. I mustn't be consumed by disillusionment yet. Not now. I shall, like I do for everything else unpleasant, pretend it does not exist. I shall train myself to believe I am studying for a purpose, I'm studying because I want to learn, not because I can shape myself into what my society deems a useful member. Higher learning is here for a reason, and I need to hold on to my stand - however unsteady it may be - for a little while longer.

Wednesday, January 12, 2011

It's the middle of the week, and hitherto, I've sat through three of my five lectures for the week. Here is, by the way, a list of the modules I'm taking this semester:

1. EL2211: Historical Variation of English (50% open-book final exam, 15% class test, 15% individual essay, 10% group project, 10% class participation inclusive of group presentation)
2. EL2201: Structure of Sentences and Meaning (60% open-book final exam - not essay-based, 30% open-book quizzes, 10% class participation)
3. EN2271: Introduction to Playwriting
4. LAC3204: Chinese for Business and Social Science. Don't let your jaw hang too loose. I'll get to this one in a bit.
5. EC2101: Microeconomics

The week started off with EL2211 lecture. As expected, this is a pretty content-heavy module, but Gerlynn was right in saying it's actually pretty interesting. We learn about Old English and the like, and how it evolved (in terms of spelling, grammar and lexicon) over the ages to what it is now. The text we have to analyse for our group project is A Midsommer Nights Dreame, and the final exam counts for 50% of our final grade. I've seen the past semester test papers, and all I can say is that I signed up for this, so I might as well take all this in my stride.

But at least, despite the demands of this module, I know what to expect. Because I've taken English (EL) modules before, so I know the approximate level of rigour and what to expect by now. This is more than I could say for LAC3204. When I entered the seminar room, I had no idea who would be there, or how many people. There were 25 in all, and the group consists of a Canadian, a couple of Malaysians and a couple of PRCs. The notes were entirely in Chinese, and people spoke Mandarin (well, except for me and three girls from the Law Faculty, so we stuck together in class - good to flock with people you can communicate better with, right?). The lecturer is the maternal sort. I don't know about you, but my impression of Chinese teachers is that they are always maternal and nice. And Laoshi totally fits the stereotype. She has a background in media and commerce since she worked for several years in Mediacorp and a media group in Hong Kong (news production and associated fields). But, you know, as nervous as I was about the class, Laoshi managed to ease us into it and it turned out to be a surprisingly refreshing class, though we're expected to write some essays in Chinese and present it in front of the class. I'm not nervous about presenting in front of the class, but the fact that, after so many years of being spared from Chinese oral, speaking Mandarin in front of a crowd sounds daunting, to say the least. But I'll worry about that in due time.

The third class, today's class, was EN2271. And similarly, I didn't know what to expect. I've never experienced having a critique group before. There were 12 of us in all (Valerie-Ann, Tamara Kisha, Luke, Nick, Melissa, Joanne, Hazel, Denise, Koon Hui, Huiyi, Shah, and me), selected from the list of applicants. We had to submit three scenes written (in prose, poetry, play, etc) in response to three words respectively: Abdication, Vindication, and Restitution. With that, the 12 of us ended up in the seminar room, seated around a long meeting table, facing Dr Husir, playwright and firm believer that the arts is far superior to sciences. That's a touchy issue, highly debatable, so I won't espouse or expound on that. But while Dr Husir declares that he is not an academic and that we shouldn't regard EN2271 as an academic module, EN2271 is one of the most demanding modules in FASS, as his ex students tell him. That's what I've heard too. Each week, we have to write an essay regarding a play (issued by him), along with writing an act of our own and submitting it next lesson for critique.

After introductions were made (half the class were Lit majors), Dr Husir set us a prompt and got us to work. A scene in the midst of the Queensland flood with the opening line by a character: "Why do you keep looking out the window?" Written in twenty minutes. I'll post my attempt here in a bit. Mine's in prose form, though I cut back on the details that can't be realised in play.

Once we were done, we had to read our piece aloud (and rope in the person next to us to help act out the other character(s) in the story) and let the group offer feedback. And you know, it's terrifying, having to read out your work to a group of strangers. But I received constructive feedback (how rare to have people actually pay attention to your work and offer advice to improve it!) from the group. Dr Husir said I managed to use the flood as a backdrop to a large character conflict that develops with the story, but I needed to pay attention to developing the narrative as a play and not prose. I have zero experience with plays. The only two plays I've ever read are Antony and Cleopatra (for Lit in JC) and The Importance of Being Earnest (by the ever delightful Oscar Wilde), so it seems I really have a lot to work on.

Listening to what the rest have written, though, was so much less sweat. There were several that I really liked, like Luke's and Valerie's and Nick's and (I forgot her name - sorry!). Luke wrote a piece about a battered-wife mermaid who was trapped by her husband but liberated because of the flood. Which is a really interesting take. It's unique and refreshing, exactly the way fantasy fiction should be. And Valerie's was a delicately written piece that played on words and had a sweet silver-lining ending where the character revealed she was looking for a rainbow amid the flood. It seems her writing is as delicate as she looks. She has the sort of feminine frailty and childlike vulnerability in her face that is the sort that I imagine photographers like to capture. Nick's was a funny piece between a bimbo and a neurotic boy who took every precaution not to let the waters in the house. The bimbo went on and on about Santa Claus being able to enter the house, at least, because the roof was dry, so baby kangaroos could be born because it was Santa who put joeys in the pockets of kangaroos. And the boy's yelling at her for thinking about joeys in the middle of a flood, and she said kangaroos are important and then she suddenly saw a crocodile and asked the boy if it would eat them and then to wave to it, and the boy demanded why on earth he would wave to something that was planning to eat him...

Nick's writing is typical of a male POV. I've always thought male writers are either funny in their prose, or boringly methodical. Nick happens, it seems, to belong to the first group.

And the last piece I enjoyed (I still can't recall her name, but she's a Lit major) was about a family trapped in a house while the flood's going on outside and the mother's sister, Aunt Rose, is crying to be let in because the water's at chest level. But the mother's adamant about not letting "dangerous characters in during dangerous times" despite her husband telling her to let her sister in. The scene then went on with the two children watching their aunt struggle and drown, all reported in a detached manner ("Oh look, she's going down now"). The story appeared light-hearted, even funny, but belied a sinister thread that left me slightly uneasy. Some commented on how dysfunctional the family was, and I suppose that's why it made me squirm. Dark humour is really difficult to achieve. Too little and your reader might miss it; too much and it'll prove counter-effective. But I think the writer handled it well.

So many good writers in the class. I hope I'll improve in my writing with the help of this class and the various characters in it, and I'm completely looking forward to reading more of their work. There's just so much to learn when it comes to the craft of writing! That, I've always felt, is one of the reasons why writing is such an engaging activity. There's always room to improve, always something new you learn about yourself and the way you perceive the world.

Okay, I hope this is a sufficiently long post, Gerlynn. (She's always bugging me to blog - I have to remember to thank her for that.) Till next time!

Wednesday, October 06, 2010

This past week has been busybusybusy. I hate how this semester's turning out. 'Hate' is not a word I normally use, but come on, I'm only a sophomore who has no clue what I'm going to be after I graduate. Is there a need for all these academic demands?


Never mind. It's just five and a half more weeks to go before the exams. And then everything will be over. After the two presentations next week, things will hopefully die down. I've said this before, but I'll say this again: projects are a bitch.


Okay. That's probably enough negativity for a night. I'm actually supposed to be working on my readings while simultaneously drawing up my research proposal for my bilingualism module, but yes I'm here blogging and I'm also reading Wu Chun's blog and scouring for pictures of Jiro (at last count, I have 328 pictures of him in my file) on Facebook. Multitasking is good for your brain, says I.


It seems like my days are counted down according to deadlines and presentations these days. Man, I'll be glad when this semester's over!


Gerlynn and the rest have started their first semester in uni too, and while YL's practically AWOL these days, being completely tied up with school activities, Gerlynn's beginning to experience the onset of disillusionment brought about by being an undergrad. As I had and still am experiencing. I don't know what it is about being in university that makes us feel this way. To see everyone slogging their guts out to get a 4.0 CAP or higher, participating so actively in class, passionately involved in discussions, etc, I can't help but take a step back and wonder if I can ever be like them, or if I even want to. I don't really get the point of all this. I don't know if I can be that impassioned about what I'm learning. What I'm learning is interesting enough, but it's not like I want to make it my life's work. Social variation in English or the how's and why's of language acquisition are not something I want to pursue.


It's strange. I never really used to feel this way when I was in secondary school, or junior college. All I knew then was that I had to work hard - that I wanted to work hard - so I could prove that I wasn't worthless. Everyone says I have to go to uni, get a well-paying job with good perks and promotion, and all my hard work at O' and A' levels will be worth it.


But right now, the problem sets in. I don't even know what I want to be after I graduate (it used to be 'in the future', but now that the future is so close, it seems more apt to use 'after I graduate' instead). What do I like? What do I want in life? What is the point of life? A fat, regular paycheck? Bags? Cars? Shoes?


It's enough to make my head explode, thinking about all this. I've said before that sometimes I don't know what I'm doing in uni, and when I said it at the primary 6 barbeque last Saturday, they laughed, thinking I was joking. But I was more serious than they probably thought I was. Mr Chan assured me that I'll find a job that suits me, that I'll like, but right now I'm not feeling too optimistic.


Gosh, life is a bitch. Oh well. At least I have someone who understands how I feel. Kisses, Ger!


And thank goodness for small comforts:



Monday, September 20, 2010

This post is way overdue.

Not only because it's been months since my last entry, but because things have happened that I didn't chronicle. Not that they're particularly momentous events (oh, to have one of those in my life!), but you know, a blog is a blog.

Geek that I am, I'm enjoying what I'm learning this semester. Because I was forced to take modules to fulfil the faculty requirements last sem, there wasn't a whole bunch of modules for me to choose from that I'm actually keen on. Oh, I did all right for my Southeast Asian Studies module, and my Singapore, Asia and American Power module, but they're none too scintillating compared to what I'm taking this semester.

GEK1506: Heavenly Mathematics may sound off-putting, especially if you're not especially mathematically-inclined. I do fine in Math, and I actually enjoy it, even though everyone says, "Oh you're a right-brainer, you're more artistically inclined, so you should, by right, destest Math and Math-related subjects." Besides, Heavenly Mathematics has nothing much to do with Math, really. It's more about cultural astronomy and how the calendar and time zones work, how long daytime is at different latitudes and the position of the stars in the night sky at different times of the year, and how astrology came about. In short, it's everything that's fascinated me ever since I started writing Lambs for Dinner. Constellations and where to find the evening star Venus (also called the morning star; since it can be seen after sunset and before sunrise), and how the distance between Sirius (dog-star, aka Canis Major) and the Sun is the furthest during summer; time zones (did you know that Singapore is actually in the wrong time zone?), new moon sightings and the different positions of sunset/sunrise throughout the year. I am completely psyched to be learning about all this.

Also, PC1322: Astronomy. It focuses more on heavenly bodies like comets ("dirty snowballs") and the planets and their moons, moon phases and stars (lovely, mighty things they are - and all that loveliness from just nuclear fusion!) and nebulae and how to use a telescope. Well the last part's a little technical and dry, since it brings in optics and physics (goodness knows I'm terrible in that), but it pertains to my novel, so I'd say it's good research.

Who knew science modules could turn out to be so interesting?





Joyce is in love with:




1. Writing (as you all know), as I always have and always will

























2. Pink daisies.










3. Jiro. Who could forget him?

Sunday, August 15, 2010

Gerlynn has been bugging me to update my blog, and I suppose I really should, except that there's really nothing much to update, because I can't stand rambling on about myself and my life.


"Who gives a flying crap?" I asked Ger.


"I do!" she barked. "Blog about your life, bemoan your single status, whatever - just blog!"


So here I am, trying to gather a list of blog-worthy things.


You realise that I haven't said anything of weight so far. Such is the state of my compulsion to blog these days.

School's started. Which means less time to pursue worthy ... pursuits, such as watching drama serials on YouTube. And working on my WIP, an urban fantasy involving spirits, a carnival and being trapped in dreams.


This semester seems more hectic, I realised, because I all my modules list group project as a CA component. Individial papers, I can handle. But projects are a bitch. They take so much synchronisation, organisation, negotiation of timetables, discussions, etc etc etc. For papers, you can get it over and done with quickly, but projects take time; they drag on all the way till the few crazy weeks before finals, where we'd then be rushing to finish up the project and mug for exams.


Here's the list of modules I'm taking this sem (I'm about to fall asleep writing this post - I am certain no one is interested in reading about all this bs):


1. EL2251 Social Variation of English

2. EL3880B Cinematic Discourse and Language

3. EL3208 Bilingualism

4. GEK1506 Heavenly Mathematics (It has everything to do with calculating the lunar/solar/Chinese/Islamic/etc calendars and 3D visualisation - I think I may potentially be screwed.)

5. PC1322 Understanding the Universe (ASTRONOMY! Finally, I can read astronomy magazines without feeling guilty for spending too much time on leisurely pursuits, because now I have a justification for reading them - I'm taking a module in it!)


And in case you were wondering about my sudden Fahrenheit fangirlism (as posted on Facebook), it was because I watched Momo Love and ToGetHer, both of which star Jiro Wang. And I swear, that boy is GORGEOUS. He's got beautiful high cheekbones, a sharp chin and nose, and the sexiest lips I have ever seen on a guy. Plus, he dances, sings, draws (VERY WELL, might I add - I bought his autobiography filled with his personal illustrations and pictures from his trip to Amsterdam, home of his idol Vincent van Gogh), is cute, funny, and has an omfg-ripped body.


Proof?





























And you know, who says watching drama serials doesn't teach or expose you to anything? In ToGetHer, the characters had to memorise a poem by Tagore, called Stray Birds.






A taste:


Stray birds of summer come to my window to sing and fly away.
And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.




It was such a beautiful poem I rushed out to the library today to borrow the book. And I must say, his employment of imagery is comparable to Rilke's (my favourite poet). Although I still think Rilke's better.

Wednesday, April 14, 2010

A case of the nihilistic woes

I left the last seminar (of English) for this semester feeling oddly ... bereft.

Sometimes, I wonder what I'm doing in university. I'm not intelligent, I'm not maniacally driven to get that A, I'm not even that head-over-heels passionate about what I'm studying. I mean, sure, it's interesting and all, how reality is all mediated experience and we can never count on any piece of information to be untainted by someone's preconceived notions imposed upon us, and discourse is the blatant manifestation of one person's experience being transmitted to another. Yes, interesting concepts and food for thought.

But to read up on such concepts for leisure? To engage the professor in profound discussions? Is it just me, or does anyone else not see the point of it all? So what if we realise that it is impossible for the media to ever tell the unsullied truth, or that we can spot what the advertiser is trying to get us to do or think by noticing the words they use, and the way they make use of visual elements to complement their texts?

Come to think of it, so what if we know the minority groups in Laos and Vietnam are repressed by the onslaught of urbanisation, and nationalistic sentiments in Indochina were rampant during the turn of the 20th century, leading to the Communist-led expulsion of the French in Vietnam, and the nationalists' movement to eliminate the threat of Communism in Indonesia? So what if we feel that America is a benign hegemon and not a rogue state because while it does run several dubious foreign policies (and that might be an understatement) and functions as a corporation-country (which is, debatably, a worrying progression), it has served Asia well in terms of economy and security? Will my comments and opinions matter either way? So what if it does?

I disgorged all this on my best friend on the bus home just now, feeling strangely lost and insignificant and generally not seeing the meaning of all that I was doing now. She identified right away, saying that I was just jaded/tired, and that she felt the same way.

The thing is, I thought I would enjoy it more than this. I had been looking forward to it, and no, it hasn't begun to disappoint, but maybe it is me who has let myself down. My peers seem to actually enjoy the seminars immensely and can articulate their opinions comparatively much better than I can.

I'm lost amongst them. What am I even doing in university?

On the way home, I tried to come up with a reason why I felt, like Gerlynn suggested, so jaded. (And that's why you tend to see me staring disconsolately out the window during long bus rides. Don't mind me; I'm just wallowing in self-pity.)

And I realised it was because I had nothing to really look forward to after graduation. You might find me worrying too much - a freshman shouldn't be fretting about something that far down the road - but isn't university a (pardon the cliche) stepping stone to a more privileged life? Isn't the whole point of education to free us - opening up more avenues in which we can make better use of our lives, open up our minds, help us achieve actualisation by aiding us in breaking the shackles that pin us to cocooned middle-class drudgery (though, of course, I won't be hypocritical and deny that it is also a luxury)? I sound ungrateful - many people would love to have access to higher tertiary education. Yes, I'm aware of that. I'm not complaining about the opportunity to brush shoulders with people my age who seem to be so much more advanced intellectually. Really, I'm not. I like what I'm learning, what I'm exposed to.

But after graduation - what then? A 9-to-5 job in an air-conditioned office, with stipulated lunch breaks, corporate hierarchies to inch around, attires and high heels (the horror!), the regulations, rules, laws, codes and oh, a million other things that culminate in the exact opposite of what my education had promised me. How is that freedom? How is that actualisation? Will we ever find it within ourselves, in others?

I'm aware of how my absolute dream is a fool's paradise. Not only is the literary market crazily difficult to break into, there is no guaranteed success even after you've successfully become an insider. Even literary agents face rejections from editors, what more aspiring writers from literary agents. Yet, I'm almost completely certain this is the only job I will do despite not getting a promotion, or a big fat bonus or salary. Everything else feels like a chore. Is this me being parochial, too unforgiving of other options, too fixated on being a writer, writer, writer?

After graduation, will my words run out?

Wednesday, February 24, 2010

Advertisements For Sale

The question now (a rather random one with an abrupt opening, but a question nonetheless) is whether the consumer is influenced by the advertiser or the other way around, and whether we as consumers are doomed to be held captive in the self-perpetuating cycle of consumption.

For starters, as a consumer myself (not a great one, but I hardly know anyone in the society I'm living in to live in a social vacuum and not consume at all), I would say that the influence of advertisements on the audience is irrefutable. It's impossible to be completely unaffected by advertising - they bombard us from all sides, offering prettily-packaged products that promise to improve our lives, offering us a plethora of identities to assume and define ourselves with. We align ourselves with the values and qualities of the products we consume. And what influences us to make our decisions are the advertisements that reach us through the various media: print, broadcast, and so on. Wait for your bus and you see a Juicy Couture advertisement, walk along the street and you see a sultry model showcasing a Fendi bag. The list goes on. We go about our lives with these as part of the scenery, so accustomed we have become to advertisements as a result of its relentless ubiquity. Quite possibly, as a result of this, we have become immune to them, or at least weary. I know I have. It's tiring to see models posing with a bag, or a faceless voice on the TV extolling the merits of a certain good, when it's not the only one in the market. Product differentiation has become such a vital part of selling a good that one can't help but wonder if there really is a difference between choosing one brand over another, when essentially the same type of good is being sold.

And what annoys me the most is how people think they are asserting the identity(s) they have carved out for themselves - given the wide range (or is it really as wide as we think?) to choose from, that advertisers offer us - when everyone basically dresses / eats / watches the same way, the same thing. On a personal level, girls everywhere I see wear shorts and gladiator sandals or leggings/jeggings and high-waisted skirts offered by a certain brand offering all-cotton clothings. Someone commented somewhere that women are the - and I quote - 'biggest herd-mentality consumer lemmings'. And I have to agree, indignation aside. Because these advertisers prey on our vanity, our constant desire to seek something to enhance our looks, make us more attractive, therefore improve our lives (I'm not sure how those are linked, but apparently that's how it is supposed to work). We grab our girlfriends, go shopping, queue in line at the dressing rooms, checking out accessories along the way, buy a dress, get excited about our new purchases (shopper's high) - life is good. And then weeks later, we decide that we're bored with our wardrobe and want something else to improve our lives, make us stand out. And the cycle repeats itself.

I'm not saying shopping and vanity are condemnable. No, to be vain is only human, and shopping is a great way to bond (or so I'm told). I just don't understand what we are supposed to achieve by doing that. I'm wondering if it's the society that makes us turn to an external agent to improve the quality of our lives, or if it's within us all along to constantly seek something better. But not to digress, it is because of this human psyche that advertisers are able to make a profit out of us. So is it us who sustains the consumer-advertiser dynamic, or the advertiser that makes us feel like we need to look elsewhere to fill up that internal vacuum (just to dramatise things a bit). Maybe it's fifty-fifty. It's a rather sit-on-the-fence approach, but I feel that it's a case of 'one can't live while the other survives' (sound familiar?).

Advertisers have to take their cues from us consumers. Without them, they wouldn't know how to persuade us to buy their products, and therefore how best to package them in a way that would entice us to buy their stuff. It's a rather chicken-and-egg conundrum - is it the consumer who first shows the advertiser his desires and his needs, or the advertiser who tells the consumer that, hey loser, this is what is lacking in your life, and this is the thing that can save you? Is it possibly even a more insidious case of upper class domination, wherein the dominant class(es) present the 'ideal' life that we should all want, all strive to attain? If that is the case, then we can't blame advertisers for preying on us so ruthlessly, almost unscrupulously, because we were willingly coerced by the dominant elites to want that sort of lifestyle - luxury cars, big house with temperature-control and state-of-the-art kitchen mechanism, LV bags and access to the trendiest clubs (I always thought that phrase sounded the very opposite of what it tries to sound. I mean, 'trendiest clubs'? Lame). It's not the advertisers' fault we are exercising herd mentality and consume their goods blindly, thinking that we are being unique but in fact looking and behaving just like everybody else because we are afraid of breaking away from the pack. And even if we did break away by dressing or behaving differently, it's just to seek attention by screaming, Look at me - I'm different, I have a more unique idenity, I stand out more! I'm not saying it doesn't work either way - I'm just saying that I feel it's pointless to put that much stock into identity-construction when all we're doing is re-presenting the identities and qualities that advertisers already have wrapped up in pretty boxes for us.

So are we doomed to being prisoners of this endless cycle of want? Not necessarily. I hold out on the hope that we won't, because of the weariness that might settle upon us eventually. Then again, advertising constantly evolves with market sentiment and trends, so advertisers can always find new ways of exploiting our desires and our weariness itself to sell us another product. I guess it depends on whether or not you're a cynic. But for now, every time I see an advertisement, I try to make a connection between what is presented to me - the qualities that the good is supposed to embody - and the intention of the advertisement.

Just my two cents' worth.